Kalandos kanyargós út után értünk Lednicéből Jindřichův Hradecbe, hogy még egy várat szemügyre vegyünk. Ez tényleg inkább vár volt mint kastély, annak rendje s módja szerint vízzel körbekerítve:
Egyik oldalról
Másik oldalról
Alaprajz
Győzelmi fotó annak örömére, hogy sikerült 5 perccel az utolsó
idegenvezetés előtt odaértünk, és még pisilni is volt időnk :)
Az 1-es számú útvonalat választottuk, ez az úgynevezett Ádám Épületen vezet keresztül, ami nevét az építtetőjéről, Hradeci II. Ádámról kapta. Ez a vár reneszánsz szárnya, a 16. század második felében épült, és kábé így néz ki belülről:
Innen származik a híres/hírhedt Fehér Hölgy is, aki több cseh kastélyban is kísért, a legenda szerint a vár egyik lakója a Rožmberk folyosón lopakodott végig éjszakánként, hogy a fekete konyhából ételt lopjon a szegény gyerekeknek.
A vezetés gyönyörű szép időben a belső udvaron ért véget
Utolsónak a Roundel Zenei Pavilont néztük meg
Gyönyörűen díszített, trükkös hely ez: hogy a gazdagok szórakozását ne zavarják,
a zenekar az épület alatti pincében játszott, a hang a padló közepén egy lyukon át
jutott el a közönséghez, amit egy hatalmas vázával takartak - egyrészt
esztétikai okokból, másrészt hangerősítés céljából.
a zenekar az épület alatti pincében játszott, a hang a padló közepén egy lyukon át
jutott el a közönséghez, amit egy hatalmas vázával takartak - egyrészt
esztétikai okokból, másrészt hangerősítés céljából.
Kapu
Pihenő
A híres Rožmberk rózsa a csupaszín kovácsoltvas kúton
Még mindig a kút
Várfal
A Rožmberk rózsa mindenütt ott van a városban
Egyszerűen csak mert imádnivaló :)
És akinek mindez nem lett volna elég, íme a vár története, ahogy a honlapon áll. Vigyázat, részletes!
The construction of the mediaeval castle, called “Novum castrum“ (the New Castle) in the oldest preserved historical record from 1220, is connected with the name of Jindřich Vítkovec, the founder of the independent Vítek branch of the Lords of Hradec, which used the coat-of-arms with a golden rose in a blue field. At that time, the round Black Tower and the adjoining palace came into being. The castle, later enlarged into a magnificent chateau, served the Lords of Hradec as their main residence until the family died out in 1604. The members of the family essentially influenced all economic, political and cultural events in this region and representatives of each generation held important positions at the royal court. The importance of the Lords of Hradec was expressed in the gradual enlargement of the residence, from the solid Romanesque-Gothic castle into a majestic Gothic fortress with a complicated artistic solution and flawless fortification.
In the latter half of the 16th century, under Adam II of Hradec, the castle underwent a
radical rebuilding to a representative chateau, after the example of
the pretentious palaces of the Italian Renaissance. The castle fortress
thus became a luxurious residence that satisfied the most demanding
requirements of a Renaissance nobleman. Under the management of
Balthasar Maggi and a number of other Italian builders, Adam’s building
and the Spanish wing were built in the third courtyard, and both these
buildings were linked by great arcades, and behind them, as the crown of
the then building activity, a little music pavilion, the Roundel. This
grand reconstruction practically completed the architectural development
of the complex. Adaptations made by later owners were only of a partial
character and almost did not affect the Renaissance shape of the
chateau.
The
last member of the family of the Lords of Hradec married Vilém Slavata
of Chlum and at Košumberk in 1602, and after the death of her brother
Jáchym Oldřich in 1604, he became the heir of the vast domain as well as
the title “the ruler of the House of Hradec”. In Czech history he
became known as the royal vice-regent, who was thrown out of the window
of Prague Castle in the second defenestration in 1618.Over the ninety years of the rule of the Slavata family, the chateau did not undergo any essential construction adaptations. However, in the period of 1678 – 1696 the second arcade wing by the Roundel was built and in front of it the garden fountain was set.
In 1693, Heřman Jakub Černín of Chudenice acquired the chateau by
marrying Marie Josefa of Slavata, who got Jindřichův Hradec as her
share of the family heritage. The execution of important state functions
and the relationship to the ruling House of Habsburg under the first
Černíns brought to Jindřichův Hradec prominent visitors from among the
members of the imperial court and other representatives of the European
political scene. It was under the Černíns that the last major architectural remodelling of the chateau, which concerned the chapel, was carried out. In the years 1709 – 1735, the Gothic chapel of the castle was remodelled in the Baroque style after a design by F.M. Kaňka.
In 1773, the chateau as well as the town were struck by a vast fire that destroyed a major part of the Renaissance interiors along with artistic collections. Temporarily roofed and abandoned by the lords, the chateau went on deteriorating. It was used as the economic centre of the domain, and the great arcades were turned into stables, the Roundel serving as a wood and game storage room and as stables.
It was the wave of Romanticism that brought new interest in rescuing the chateau. In 1851, the family archives were brought from the Černín Palace into the remodelled premises of the chateau, which became the basis of the present State Regional Archives, still housed in the second chateau courtyard. In the early 20th century, the Viennese architect Humbert Walcher of Moltheim realised partial repairs and adaptations but some part of the chateau remained without repair.
The Černíns owned the chateau until 1945, when it was confiscated, pursuant to Presidential Decree No.12/1945. The bad condition of the chateau complex kept on deteriorating and several buildings threatened to collapse. A general reconstruction was started in 1976 and lasted, with intervals, seventeen years. The chateau complex was rescued to the expense of 120 million crowns and reopened to the public in 1993.
